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Количество страниц: 15 с.
This article touches on the problem of studying the interaction of folklore and literary traditions in the works of authors who came from the people, bearers of oral folk art. In Soviet times, in the literature of the peoples of the USSR, especially in newly written literature, folk singers played a significant role in poetic life. Their works successfully intertwined folklore and literary traditions: a certain synthesis of form and content occurred. In our work, we drew attention to the work of one author, Nikolai Stepanov - Nooroy, a member of the Union of Writers of the USSR, folk singer, olonkhosut, participant in the Great Patriotic War. The relevance of the article lies in the fact that until now the period of active creativity of folk singers of Yakutia, as authors, as creators of Soviet folklore, has been little studied. The subject of our research is the works of N. I. Stepanov - Nooroy, his songs and poems on Soviet themes. The work uses comparative, analytical, and analytical methods to reveal the interaction of folklore and literary traditions and the transformation of folk songs into original songs. The novelty of the research lies in the fact that this work studies the fusion of folklore and literary traditions, their interaction in the works of one author, a bearer of the traditional oral culture of the Sakha people. As a result of the study of the author’s poetic works on the Soviet theme, we concluded that in the poems, songs, and toyuks of N. I. Stepanov, the interaction of folklore and literary traditions is clearly observed. From the works of N. I. Stepanov it is clear that the folk singer, firstly, worked to preserve and transmit the traditions of folk art mainly in olonkho and toyuks, and secondly, he became one of the founders of a new type of folklore, a song genre called Soviet folklore. Stepanov’s songs about labor and workers can be considered historical, because they reflect reality and glorify real people. The writer’s poetic works on Soviet themes reflect historical facts and events of the Soviet period. His works have cultural value, and as works reflecting reality, they are a historical and cultural monument.
Илларионов, В. В. Народный певец Н. И. Степанов - Ноорой: взаимодействие фольклорных и литературных традиций / В. В. Илларионов, О. Н. Степанова ; Северо-Восточный федеральный университет им. М. К. Аммосова, "Саха", государственная телевизионная и радиовещательная компания // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Эпосоведение". - 2024. - N 2 (34). - С. 38-52. - DOI: 10.25587/2782-4861-2024-2-38-52
DOI: 10.25587/2782-4861-2024-2-38-52
Количество страниц: 8 с.
- Общественные науки. Образование > Фольклор,
- Искусство. Фотография. Музыка. Игры. Спорт > Развлечения. Зрелища. Игры > Театр. Сценическое искусство,
- НАУКА ЯКУТИИ > ОБЩЕСТВЕННЫЕ НАУКИ > Этнография. Обычаи. Жизнь народа. Нравы,
- НАУКА ЯКУТИИ > ИСКУССТВО. ФОТОГРАФИЯ. МУЗЫКА. ИГРЫ. СПОРТ > Развлечения. Зрелища. Игры > Театр. Сценическое искусство.
The novelty of the research lies in the literary analysis of the performances of the Sakha theater, the definition of epic content in modern stage works. For the first time, the material of the creative rethinking of Western European, Russian and Yakut drama on the ways of forming an aesthetic manifesto of the national theater is summarized. The purpose of the study is to identify the epic code as a key that reveals the role and mission of the Sakha theater in the spiritual culture of the people. The objectives of the research include: 1) to reveal the functionality of the local content of Western European drama by W. Shakespeare, E. T. A. Hoffmann and B. Brecht, whose plays made it possible to creatively decipher the code of the epic heritage of the Sakha people; 2) consider the interaction of theater and prose in the experience of director's staging. The research used methods of historical, literary, comparative and contextual analysis. The study revealed the process of theater's movement towards a synthesis of classical and epic theatrical art. The significance of working with the prose works of P. Oyunsky,S. Kurilov, Ch. Aitmatov as a conceptual part of the manifesto of the Yakut theater is assessed.
Желобцова, С. Ф. О генезисе эпического кода в эстетике Саха театра / С. Ф. Желобцова, С. Н. Барашкова ; Северо-Восточный федеральный университет им. М. К. Аммосова // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. Серия "Вопросы национальных литератур". - 2024. - N 1 (13). - С. 75–82. - DOI: 10.25587/2782-6635-2024-1-75-82
DOI: 10.25587/2782-6635-2024-1-75-82
Количество страниц: 13 с.
The relevance of the research is determined by the fact that the study of the ways of introducing direct speech of the characters in the Yakut heroic epic would allow us to identify characteristic formulas, representativeness of the style, peculiarities of local traditions, stability or changes in time, originality of textological techniques in fixing olonkho, etc., which is important for understanding the originality of the poetics of the folklore text. The aim of the work is to identify the peculiarities of the transmission of the direct speech of the characters in olonkho. To achieve this goal, the following tasks were set: to define direct speech as an element of Olonkho narrative; to study the structure and lexical features of the introduction of direct speech by characters in Olonkho; to characterise characters in formulaic constructions that precede direct speech. Structural, lexical analysis, comparative method, system analysis of Yakut epic poetics were used. It is found that the presentation of direct speech has its own structure, consisting mainly of constructions with verbs of speech, common places, typical expressions, which can be before direct speech, within direct speech and after direct speech. The Olonkho mainly use constructions before and after direct speech. We have discovered an abundance of epic formulae, verbs that characterise the speech and singing of the heroes. In addition, there are sometimes verbs not related to 'speaking' and constructions without a verb. The dialogues of the Olonkho characters by D.A. Tomskaya from the Verkhoyansk region are characterised by simplified repetitions of a single verb. In some cases, while recording the text, the collectors were able to introduce sentences of their own, in which the name of the character and his action are indicated. It turned out that the formulaic constructions that precede direct speech contain character descriptions: first of all, this applies to the abasy bogatyr, female images, shamans, shamanesses, a child, zoomorphic images.
Кузьмина, А. А. Передача прямой речи персонажей в якутском героическом эпосе олонхо / А. А. Кузьмина ; Институт гуманитарных исследований и проблем малочисленных народов Севера // Вестник Северо-Восточного федерального университета им. М. К. Аммосова. - 2024. - Т. 21, N 1 (95). - С. 127-139. - DOI: 10.25587/2222-5404-2024-21-1-127-139
DOI: 10.25587/2222-5404-2024-21-1-127-139
Издательство: Советский писатель, Ленинградское отделение
Год выпуска: 1963
Количество страниц: 452 с.
Издательство: Советская энциклопедия
Год выпуска: 1980
Серия, номер выпуска: Т. 1
Количество страниц: 680 с.
Издательство: Наука, Главная редакция восточной литературы
Год выпуска: 1975
Серия, номер выпуска: Исследования по фольклору и мифологии Востока
Количество страниц: 330 с.
Издательство: Наука, Ленинградское отделение
Год выпуска: 1970
Количество страниц: 264 с.
Издательство: ЛГПИ им. А. И. Герцена
Год выпуска: 1986
Количество страниц: 168 с.
- Национальная культура, обряды, праздники коренных малочисленных народов Севера > Этническая культура, праздники, обряды других коренных малочисленных народов,
- Памятники нематериальной культуры коренных малочисленных народов Севера, Сибири и Дальнего Востока > Эпическое наследие,
- Общественные науки. Образование,
- КНИГАКАН > Общественные науки > Этнография. Обычаи. Жизнь народа. Нравы. Фольклор.
Издательство: Детгиз
Год выпуска: 1957
Серия, номер выпуска: Школьная библиотека. для семилетней школы)
Количество страниц: 280 с.
- Общественные науки. Образование,
- ШКОЛА > Педагогу > Преподавание дисциплин > Литература > Русская литература,
- ШКОЛА > Школьнику > Литература > Русская литература > 9 класс,
- ШКОЛА > Школьнику > Литература > Русская литература > 10 класс,
- ШКОЛА > Школьнику > Литература > Русская литература > 8 класс,
- ШКОЛА > Школьнику > Литература > Русская литература > 7 класс,
- Школа 2 > Жанры > Художественная литература > Фольклор,
- Школа 2 > Предметные подборки > Художественная литература > Русская литература.